Per's blog

Power to the Pixel!

Next week I'm off to Power to the Pixel's, "Cross Media Forum" in London. PTTP seems to be a very nice organization, they write themselves on their homepage: !--break-->

 "Power to the Pixel is a company dedicated to supporting film and the wider media in its transition to a digital age with a passion for connecting creative talent to audiences. All its cross-media services are dedicated to a core idea that success is driven by knowledge – most critically of how to work in a rapidly-evolving, customer-driven international market."

 

 Right up The Pact's alley!

 

The program for the first day is really interesting and will most probably give a lot of inspiration and thoughts from smart people regarding open source and possible business solutions. 

The second day hosts a pitching contest, The Pixel Pitch. There we should see how other intelligent projects have been set up, and we might rip off (be inspired by) some ideas, true to the Open Source-spirit! :) I'll be alert with pen, pad and camera!


Oh, I haven't written anything about what happened at Haugesund. I'm sorry about that. But it was good. I met more Canadians than I thought, and some of them might be helpful further on. Will get back to that when I pick up those thoughts again.

 

 

 

Back in town, gearing up for Haugesund

 

Summer is over, autumn is here and the responsibilities are mounting up - that feels nice.

Today Anders, Henrik and myself had a "after the summer"-meeting where we talked about what has happened during the summer when we all been separated, at least physically. Henrik told us some more about his experiences at the "politikervecka" in Almedalen, (which I'm looking forward to some post about, Henrik!), and we generally discussed what should happen in the near future. Several interesting collaborations are on their way!

One nice site that Henrik brought to our attention was Plotbot, a web-based screenwriting software, that are exactly the kind of app that would be nice to intergrate into this site.

Next week I'm going to The Norwegian International Film Festival in Haugesund. There they have the annual Nordic Co-Production and Film Financing Forum. The forum's focus this year is on co-productions with Germany, France, Canada and the Nordic countries. Canada!! That's right up our alley, so I'm going there! There is a possibility to pitch projects at the forum, but you need a certain amount of financing in place etc to do that - so I'm going as an observer. I hope to get some input on how to move on with the contact towards the (other) big country in the west, and hopefully meet some interesting people.

At least this what I had in mind when I booked the flight. Now the other day I got the schedule and participant's list, and I'm no longer so certain visavi the possibilities. There is one (1) point in the program about Canada (30 minutes long), and I find one (1) in the participant's list from Canada.
But then again, maybe a lot of Canadians are hiding under .com-adresses and people say Haugesund is a great festival to visit - so I'm not really worried.

I'll tell you about it when I'm back.

Happy Weekend


Per

 

The fat girl!

Oh, I see I didn't supply the link to FFC's quote about the transformation of the movie business, it's here.

And no, FFC is maybe not the authority on how film making will change, but he sure made an effort to be in the forefront of the way films are made in the 70's. Required reading is of course Peter Biskind's "Easy Riders, Raging Bulls", and the two books by/about my idol Walter Murch who was in charge of picture- and sound editing on several of FFC's films. Those books are, "The conversations, Walter Murch and the art of editing" by Michael Ondaatje and "In the blink of an eye", by the man himself.

Have a nice read!

 

The need for traditionalism!?

 

The world is pacted (!) with people wanting to tell stories, to entertain, to move, to make a change  - through film making. That is good. There are also plenty of ways to get a movie made, and new ways are added each day. That is even better!

Still many years after Francis Ford Coppola talked in Hearts of Darkness: A Filmmaker's Apocalypse about how video (or at least easily accessible ways of film production) would transform the professionalism of movies, and through this, film would really become an art film. That change hasn't come, has it!?

I will be in charge of what perhaps could be called the most traditional side of this production - to set up the production practically and be responsible for what "normal" movie financing we can find. Our plan is to do The Pact as a Swedish-Canadian co-production; shoot in Canada, post-production in Sweden. This way we hope to attract and secure financing through The Swedish Film Institute, Telefilm Canada and other soft-money providers for the industry on both sides of the Atlantic Ocean. 

This work will be mirrored in this blog, and I hope to get good assistance from you all to do this in the best possible way. So any kind of input is welcome; who to work with, what to do, what NOT to do etc. I'm really looking forward to working together on this.
Sure film is art, but most of all film is a lot of traditionalists desperately clinging on to old tracks leading nowhere. That traditionalism adds nothing to the business other than making a norm out of mediocrity. I'd love to find new ways. I believe The Pact Project can be a part of that search. Let's bust those tracks!

Per
traditionalist producer

 

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